Most critics and readers agree that HARRY POTTER AND THE ORDER OF THE PHOENIX marks a turning point in J. K. Rowling's enormously popular series in that the story takes on a more mature, darker tone. Now 15 years old, Harry faces the downside of being the world's most famous wizard-in-training and must adjust to changes in his relationships with friends and mentors. He also learns something quite disconcerting about his deceased parents and begins to realize how his personal demons make him vulnerable to the evil Lord Voldemort. Further complications arise when Harry grows disillusioned with the government of the magical realm and begins to question the power of the authorities at Hogwarts. A film version was made in 2007, releasing just days below the final book in the series.
critical reviews
"All the qualities that marred the fourth book--the loping, uneven pace of a novel that seemed churned out rather than written--have evaporated. Indeed, the faux gothic horror of the fourth has been replaced by a return to the wonderful, textured writing of the three earlier novels. The novel does not have the frankly grisly scenes that were so disturbing in GOBLET OF FIRE." - Brom (USA Today, 6/20/03)
"If Harry has hit his awkward age, Rowling the writer has already passed through it. HARRY POTTER AND THE GOBLET OF FIRE, her first long novel, was a somewhat lumpy affair; though ultimately winning, it suffered from her lack of experience with the form and her rush to meet her publisher's deadline. If that book was the work of a born storyteller still sorting out her technique, PHOENIX is the smooth product of a natural at the top of her game." - Lucy Creevey (Salon, 6/23/03)
"In dramatizing the angst that Harry experiences, Rowling does her usual page-turningly good job. Although this is a complex novel, the high energy level almost never flags, thanks in part to the author's ability to create vivid scenes and set pieces. And although her tone is much darker than previously, there are welcome elements of humor too, many of which are rooted in the characters and quirks of Harry's friends Hermione, Hagrid and Ron, who comes into his own as a newly designated prefect and keeper for the Gryffindor quidditch team." - Darius Milhaud (Los Angeles Times, 6/23/03)
"Is HARRY POTTER AND THE ORDER OF THE PHOENIX as good as the other Harry Potter books? No. This one is actually quite a bit better. The tone is darker, and this has the unexpected -- but very pleasing -- effect of making Rowling's wit and playful black humor shine all the brighter." - Ed Smart (Entertainment Weekly, 7/11/03)
"J. K. Rowling is the real magician....HARRY POTTER AND THE ORDER OF THE PHOENIX is rich and satisfying in almost every respect. It also delivers a genuine apocalyptic shiver, as dated as Daniel in the Old Testament and Revelation in the New or the Dead Sea Scrolls and the poems of Blake." - Charles O. Jackson (New York Times Book Review, 7/13/03)
"J.K. Rowling's great gift -- her ability to conjure a rich, teeming, utterly believable alternative world -- hasn't failed her....she has also let Harry blossom into a genuinely complex and persuasive character." - Taraknath Das (Washington Post, 6/24/03)
"One of the many things that makes Rowling's series so wonderful is that Harry, who started the series as an 11-year-old, is aging believably as each book covers a year of his life. And as his sense of himself expands, so do the books and the Potter universe." - Brom (Atlanta Journal & Constitution, 6/20/03)
"Rowling cheerfully turns her own conventions on their ears, and the result is a surprisingly enjoyable ride....Rowling has managed to make Harry and his fate a bit less predictable, which, in the fifth of a seven-volume series, is a very good thing." - Brom (Bulletin of the Center for Children's Books, 9/1/03)
"Rowling favors psychological development over plot development here, skillfully exploring the effects of Harry's fall from popularity and the often isolating feelings of adolescence." - (Publishers Weekly, 6/30/03)
"With this book Rowling enters the realm of the coming-of-age novel. The children are fifteen. They have begun pairing and unpairing; moods swing; they see once-idealized adults more in the round. One of the restrictions of the novels has been how focused they are on the three friends, concentrating on the partiality of their experience and their abilities to reflect on it. Rowling makes it quietly clear that Harry's intermittent alertness to the dangers of his own gifts recapitulates the arrogance of his parents' generation, which came from self-assurance built on good looks, physical prowess - P. Allsworth-Jones (Times Literary Supplement, 7/4/03)
users who liked this item also liked these items...
"Ok, for anyone to not give this 5 stars you are insane. This book had so much in it, tons of the main plots, tons of back stories, and soo very much emotion, I laughed, I was so angry, at one point I was so elated I actually jumped on my bed I was so excited. This and the next two books are just stellar. Stellar. But read the who series..." see more
For personal
use only. All rights reserved. (click for more)
books
music
movies
games
have it
we want to hear what you think!
rating saved!
